1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.  Related Paintings of Jean Baptiste Camille Corot :. | The Colosseum View frome the Farnese Gardens | a the vaquero on the Riverbank | Florence (mk11) | Vue de Saint-Lo (mk11) | La liseuse (mk11) |
Related Artists:
carl gustaf hellqvist

FOPPA, Vincenzo
Italian Early Renaissance Painter, ca.1430-1515 was a Northern-Italian Renaissance painter. He was an elderly contemporary of Leonardo da Vinci. Born at Bagnolo Mella, near Brescia in the Republic of Venice, he settled in Pavia around 1456, serving the dukes of Milan and emerging as one of the most prominent Lombard painters. Foppa returned to Brescia in 1489. His style shows affinities to Andrea del Castagno and Carlo Crivelli. Vasari claimed he had trained in Padua, where he may have been strongly influenced by Mantegna. During his lifetime, he was highly acclaimed, especially for his skill in perspective and foreshortening. His important works include a fresco in the Brera Gallery of Milan, the Martyrdom of St. Sebastian, and a Crucifixion (1435) in the Accademia Carrara of Bergamo. Many of his works have been lost. He was influential in the styles of Vincenzo Civerchio and Girolamo Romanino.
Attributed to henry pether
fl.1828-1865